1. Telemann Viola Concerto Pdf
2. Telemann Viola Concerto Sheet Music
3. Telemann Viola Concerto In G Major Pdf Creator Pdf

Beethoven finally turned his attention to the violin concerto. Although he had himself played violin and viola in Bonn, and written extensively for them in chamber music, so far he had produced only an unfinished sketch for a violin concerto in C major and the two Romances with orchestra. The occasion for. Of Georg Philipp Telemann's surviving concertos, his Viola Concerto in G major, TWV 51:G9 is among his most famous, and still regularly performed today. It is the first known concerto for viola and was written circa 1716–1721.

Brass ensemble 2 trumpets
Transcribed and Edited for B-flat or C Trumpets. Composed by George P. Telemann. Arranged by David Cooper. Performance/accompaniment CD. Roger Dean Publishing #30/2328R. Published by Roger Dean Publishing (LO.30-2328R).

Item Number: LO.30-2328R

ISBN 9781429103510.

Originally written for two flutes or recorders, Dr. Cooper has edited and prepared these to be beautiful teaching pieces for two trumpets. While they are titled 'suites,' they are organized more like sonatas in the fast/slow/faster movement format. These duets are unique in that they are canonic; this might suggest simplicity, but these duets are anything but simplistic. Many of the duets incorporate chromaticism while others modulate. Both players have an equal role in each piece as a duet, and the music sounds complete even with only one player. This allows these pieces to be practiced as solo etudes and as duets. A Performance/Accompaniment CD is included allowing the player to hear a complete duet performance and also to play along as either trumpet 1 or 2.

• Sonata I (Vivace, Andante, Allegro)
• Sonata III (Vivace, Soave, Allegro assai)
• Sonata V (Vivace, Cantabile, Scherzando)
• Sonata IV (Vivace ma moderato, Piacevole non largo, Presto)
• Sonata II (Spirituoso, Larghetto, Allegro assai)
• Sonata VI (Presto, Largo, Vivace)

Brass ensemble 2 trumpets
Transcribed and Edited for B-flat or C Trumpets. Composed by George P. Telemann. Arranged by David Cooper. Performance/accompaniment CD. Roger Dean Publishing #30/2328R. Published by Roger Dean Publishing (LO.30-2328R).

Item Number: LO.30-2328R

ISBN 9781429103510.

Originally written for two flutes or recorders, Dr. Cooper has edited and prepared these to be beautiful teaching pieces for two trumpets. While they are titled 'suites,' they are organized more like sonatas in the fast/slow/faster movement format. These duets are unique in that they are canonic; this might suggest simplicity, but these duets are anything but simplistic. Many of the duets incorporate chromaticism while others modulate. Both players have an equal role in each piece as a duet, and the music sounds complete even with only one player. This allows these pieces to be practiced as solo etudes and as duets. A Performance/Accompaniment CD is included allowing the player to hear a complete duet performance and also to play along as either trumpet 1 or 2.

Telemann Viola Concerto Pdf

• Sonata I (Vivace, Andante, Allegro)
• Sonata III (Vivace, Soave, Allegro assai)
• Sonata V (Vivace, Cantabile, Scherzando)
• Sonata IV (Vivace ma moderato, Piacevole non largo, Presto)
• Sonata II (Spirituoso, Larghetto, Allegro assai)
• Sonata VI (Presto, Largo, Vivace)

Perhaps one of the reasons Georg Philipp Telemann's Viola concerto in G major is so popular is the felicitous way in which it bridges the gap between high Baroque style and the style galant that swept through the musical world towards the end of Telemann's life. The light, elegant style galant, of course, was a reaction to what were seen as the ponderous, exceedingly academic Baroque, so it would seem that very little common ground could be found between the two. But Telemann bridged the gap, mixing the styles to create effective contrasts and a lovely unity. Certainly the layout of the concerto is thoroughly Baroque, with four movements arranged slow-fast-slow-fast in the manner of the sonata da chiesa. The Largo first movement opens with a rich, wistful melody and develops it with restraint, almost deference. Telemann puts many of the viola's solo passages in its lower register, taking advantage of the uniquely rich timbres to be found there. The sighing melody continues in the same vein, melody, except for one brief, quicker cadenza that sounds almost like a revelation. The next movement, an Allegro, shows the influence of the style galant decisively, with a light-hearted, graceful melody developed in a pleasingly uncomplicated way. Nothing much is expected from the violist technically, but the contrast between soloist and orchestra is handled well, with the violist often playing against the high strings. The Andante which follows features a sorrowful melody which fits well into both the upper and lower registers of the viola, leading to some gorgeous sounds and, as in the first movement, a small, surprising cadenza. The concerto closes with an exuberant Presto, whose main melody is developed with elan and gusto by the viola for most of its length. Once again, there is no academic pedantry or tricky counterpoint here, just joy in the melody and the music. This is the only viola concerto Telemann is known to have written, and on the evidence of this one it would have been to our gain had he written more.

Telemann Viola Concerto Sheet Music

Telemann Viola Concerto In G Major Pdf Creator Pdf

Parts/Movements

1. Largo
2. Allegro
3. Andante (mi mineur)
4. Presto

Appears On